can not believe it – but it’s amazing

Saturday, August 25th, 2012

The success of “Vicky Cristina Barcelona” strikes directly at the Pedro Almodovar, who quite unexpectedly loses its monopoly on the Iberian

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dvd covers

sensuality. What previously was reserved only for his devoted audience, suddenly becomes universal and affordable for everyone. And the same Friday. Tangle of feelings and emotions intricately constructed fire telenovela Pedro gives a western perspective przeestetyzowanej Spain postcards representing condensation collective expectations.

So they are in Allen sunsets and a glass of wine, is obscene flirting and passionate sex, and finally Penelope Cruz and Javier  Bardem. But it is only an appearance – the impressive façade of stereotypes is hiding the same as always allenowskich system dependencies, for which it would be a good place as New York. So why this masquerade? Catalonia does not perform the same function here as in London in “Scoop,” “Match Point” and “Cassandra’s Dream”.

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This time, the specificity of the place is too intrusive – imposes  associations, trivializing both the character and the dilemmas that elsewhere would have their weight and consequences. Here are just a summer adventure. And capturing and dream, but also simply unrealistic. For Vicky and Cristina first contact with local myths will be Juan Antonio (Javier Bardem) – insanely handsome artist of intricate interior, which is already at the first meeting of the two girls suggest sex.

Moral resistance to help them overcome the additional stimulus – a common experience of art, architecture and history, without exception, local shimmering glow. Dvd cover for “Vicky Cristina Barcelona” are made by cover. Marzena does cover dvd and blu-ray cover such as the “Vicky Cristina Barcelona” and makes it the dvd covers CoverCity. This site provides free cover for the film Vicky Cristina Barcelona.

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2 comments on “can not believe it – but it’s amazing

  1. kanoi34 says:

    I hate musicals! For me they are the negation of the idea of ​​kinowości, the language of images. I’m tired of playing the very principle of combining dance and vocal numbers with the development of the action. Lack of consistency (with a few exceptions, such as “Cabaret” by Bob Fosse) destroys the unity of the spectacle film, breaking it as a consequence of a series of more or less successful mini-performances. I do not share the enthusiasm for “Dancing with the Stars” and other similar projects, especially on the basis of the film. On the other hand, the movie has to be cinema, and cinema is the spectacle. It is impossible to ignore.

    Rob Marshall, in addition to being a director is primarily a talented choreographer (several pieces on Broadway) – two of his films are musicals. In the first of these – “Chicago” – Marshall gave a phenomenal atmosphere Prohibition era America, and the second delves into the truly Italian reinterpretation of the work of Federico Fellini “Eight and a half.” The specifics of what is expressed in its production and what inspires admiration, not only among supporters of the musical theater?

    • mark says:

      About the film “Nine” you can tell a lot. Describe dance, music (attention is drawn primarily “Be Italian” by Fergie), acting performances. This is the power of the show, which is not only entertaining in style, but just a little bit changes the perspective. It shows the emotions that lie somewhere on the bottom, covered with everyday life. This is the power of good cinema. “Nine” is certainly not a perfect film, and it makes the discussions about it will remain in the minds of the audience, though certainly not become a legend, such as “Chicago”.

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